The more we care about and like our protagonists, the more scared we will be for both them and ourselves. And it won't be scary - which is often why some of those films lean into realistic gore to affect the audience. Write interesting and likable characters preferably both.Īnother way of looking at this comes straight from Cargill: “Give us unlikable characters and a cool monster and the audience will root for the killer instead. If we care about them, we’ll get scared for them. The characters are the most important part. And he spoke with ScreenCraft’s Tom Dever in a ScreenCraft AMA via Facebook Live, in which he revealed enlightening pointers and anecdotes.īefore we dive in, a fair disclaimer from Cargill himself: “As with all writing advice, your mileage will vary.” 1. Along with writing THE BLACK PHONE, SINISTER, SINISTER 2, and Marvel's DOCTOR STRANGE, he has appeared on horror panels for ScreenCraft at the Austin Film Festival, he co-hosts the “Write Along with David and Cargill” podcast, and he’s very open to sharing the tricks of his trade on his Twitter.Ĭargill recently posted an eight tip crash course on how to write a horror movie. ![]() Robert Cargill is a screenwriter’s screenwriter.
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